Albishorn Smoked the Dial and Left the Engineering Visible
The Type X-Graph doesn't hide what it is — and that turns out to be the most interesting thing about it.

Photo · Hodinkee
There's a specific kind of honesty that takes nerve. Not the honesty of showing your work because you have to, but the kind where you decide the work is worth showing.
Albishorn makes what SJX describes as "imaginary vintage" chronographs — watches that carry the grammar of military pilot pieces without pretending to be anything they're not. The Type X-Graph is a step further into that sensibility. It takes the brand's existing Type 10 silhouette and swaps the conventional dial for one made of smoked polycarbonate, translucent enough to reveal a skeletonised base plate underneath. Hodinkee called it the brand's most modern offering. Both sources, arriving at the same watch from different angles, land on the same essential observation: this thing looks like a pilot's chronograph from across the room, and reveals something else entirely once you're close enough to actually look.
That gap — between the first impression and the second — is where the Type X-Graph lives.
What Transparency Actually Costs
Skeleton dials have a complicated reputation. At certain price points, they've historically been a shorthand for spectacle over substance — a way to perform complexity rather than demonstrate it. The calculus changes when the price is reasonable enough that the brand isn't asking you to pay for the theater. What SJX makes clear is that Albishorn is working in the affordable segment. The skeleton reveal here isn't a sales argument; it's a design choice. There's a difference.
Smoked polycarbonate is also a specific material decision, not a default one. It mutes the transparency just enough that the dial reads as a surface at a glance — textured, dark, familiar — before the depth registers. You have to be paying attention. That's a quiet kind of confidence: building something that rewards closer inspection without demanding it.
The military-inspired frame around all of this matters too. Pilot chronographs carry a lot of aesthetic weight — legibility, utility, a studied absence of ornament. Setting a skeletonised movement inside that genre is a mild contradiction, and Albishorn seems aware of it. The smoke is the resolution. It lets the watch keep its functional posture while admitting, without apology, that there's something worth seeing underneath.
What Both Sources Miss
Neither Hodinkee nor SJX lingers on what this signals more broadly, and it's worth staying with for a moment. The watch industry has spent years arguing about whether affordable pieces deserve to be taken seriously on their own terms, or whether they're only interesting as approximations of something more expensive. Albishorn's answer, embedded in this dial material, is to stop approximating entirely.
Smoked polycarbonate doesn't pretend to be sapphire crystal. A skeletonised plate at this price point doesn't pretend to be haute horlogerie finishing. What it does is show you the actual architecture — the real thing, made accessible — and trust that you find that interesting enough on its own. That's not a compromise position. That's a stance.
The imaginary vintage framing SJX uses is apt, but the Type X-Graph suggests the brand is moving somewhere adjacent to that original premise. Vintage aesthetics, yes. But the dial itself is entirely contemporary — a material that didn't exist in any military field watch, doing something no field watch would have done. The nostalgia is structural, not literal. The transparency is new.
Some watches are interesting because of what they contain. The Type X-Graph is interesting because it decided not to keep it to itself.
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